Funkifyno by Paul Messina

Paul Messina

Broadjam Artist: Paul Messina
Song: Funkifyno

Reviewer: Brenda Craven

Positive Comments: Perfect tempo, and this kept me moving through the whole piece. This is well orchestrated. Kind of reminds me of a mix of disco, R&B and Jazz…Almost retro late 70’s early 80’s, but that’s a good thing. Nice sax solo and your instrumentation choices on this piece work well together. It kept me moving throughout from beginning to ending. Well done. I loved every minute of it.

Constructive Comments: The only critique I have would be to lessen your reverb just a tiny bit on this. At times, some of the instrumentation “bleeds” together a little which can make it difficult to distinguish what each instrument is doing, but it’s not something that is seriously damaging the integrity of the song. You’ve done a beautiful on this. Keep composing…very impressive.

Grown Up Sexy by CaiNo

CaiNo

Broadjam Artist: CaiNo
Song: Grown Up Sexy

Reviewer: Husky Records LLC

Positive Comments: It’s the smooth operator. Sounds silky. Good stuff here. This is GROWN folk music. I’m really diggin’ the vibe. Keep em comin’. Salute!

Constructive Comments: I can’t really think of anything other than updating the drums. Keep it smooth like it is just another drum kit. And that’s nit pickin’. LOL. Excellent song overall.

FIRST LIGHT ON THE PRAIRIE (Instrumental) by Bill Dake

Bill Dake

Broadjam Artist: Bill Dake
Song: FIRST LIGHT ON THE PRAIRIE (Instrumental)

Reviewer: Brenda Craven

Positive Comments: Very beautiful. So much like Pat Metheny. This is so relaxing and calming. What a wonderful guitar lead and your background instrumentation compliments it so beautifully. Wow, this is just amazing. This is exactly the music I listen to through my earbuds when I go to sleep. This is a dynamic composition that needs to be in mainstream jazz. Outstanding job.

Constructive Comments: The only critique I would have would be to bring your drums in a little stronger at 3:00 in. It is so far in the background that it’s difficult to hear it. Bring up the volume on your drums just enough so you can hear them more and so that they don’t overpower the rest of your beautiful instrumentation and this song is on it’s way. Bravo!

Beautiful Sound by Dave Haddad (CenterPeace)

Dave Haddad (CenterPeace)

Broadjam Artist: Dave Haddad (CenterPeace)
Song: Beautiful Sound

Reviewer: Brenda Craven

Positive Comments: What a wonderful message within this music and lyrics. In a world full of chaos and violence, more positive, encouraging, and hope filled music is needed. When mere words and speeches are not effective, music moves the heart, emotion, and thoughts. This song does it all. Great music, great vocals, and the lyrics are stellar. I’m very impressed with what has been submitted here!

Constructive Comments: Not one critique from me.

For a Friend by Marc S. Pate

Marc S. Pate

Broadjam Artist: Marc S. Pate
Song: For a Friend

Reviewer: Jeff Roberts

Positive Comments: This is where guitar chops, arrangement skill, and a real ear for beauty come together! There is some majorly wonderful stuff going on here in sound that reminds me of Duane Allman’s Little Martha and Steve Kimock’s music. There are some crazy good moments going on here, including the climactic part at 1:19. Nice nice nice!

Constructive Comments: I’d remove the chorus effect. IMO it’s really killing the tone of the guitars and cluttering up the space so you don’t hear the excellent fingerpicking and voicing that you’re doing. I’d also drop the little chime/tinkle you’re adding–it’s almost like one of those bell tree things the Smooth Jazz dudes do at the end of a Kenny G solo. I’m not into the harmonics, I think they’re kinda cliche & weak next to the other stuff but that’s me. I’m picking at stuff only in the interest of making good great, and there are already some freakin great moments here!

Come On Over by FRED GROSS

FRED GROSS

Broadjam Artist: FRED GROSS
Song: Come On Over

Reviewer: Norb Studelska/Upper Air Disturbance

Positive Comments: I really liked the interplay between the two rythm guitars. Nice lead breaks, totally hot effect on the intro lead got my attention immediately. Perfect quality for the lead vocal. Nice easy blues pace. Great instrumental mix, nothing was dominating over the vocal, and the guitar and organ leads came to the front. I wanted to hear more. You know your genre’.

Constructive Comments: I have nothing constructive to offer, you “nailed” it.

Charlie by Nigel Barrett

Nigel Barrett

Broadjam Artist: Nigel Barrett
Song: Charlie

Reviewer: Randal Dunkle

Positive Comments: Great sounding beat, I love the sound of the drums and the horns really have a good blend, sounds a bit like Steely Dan.

Constructive Comments: Beautiful sounding Jazz – really makes you feel like flying, the only thing I would add is a different type of lead guitar solo with a slide – best wishes and may God bless!